Ode to Lisa, in Memory of Michael Stewart

 

“Lisa of the World”!

Every day I love you, solemn signature

black-sprayed on tan-gray warehouse wall.

From my bus ride ‘mid printed prattle

I look up, after reading how we helped fight commies yesterday,

afraid to face the editorial page -- and there,

along with all the alliterators,

Shorty Shawn,” “Alvin of Alabama Ave. I behold

the baddest bard of Bladensburg Road.

 

She’s not trapped, like rappers’ couplets claiming,

from “ashes to ashes; dust to dust,” how they

aregonna make it; or else we’ll bust” in rhyme

(co-optible as drunken sailors’ songs,

embedded for the culture vultures in

iambic péntaméter white male tales);

She’s from the obverse (street-

            level) side of omnipotent Reagan-

city, and cares for the souls

            of the underground artist heroes,

fallen in battles with local

            officials who try to deny Her.

 

“Lisa of the World”!

I don’t want to buy you flowers,

but a state-of-the-art spraypaint can

(automatic flow control,

digital readout of paint used and paint remaining)

illustrated like the shield of Achilles:

scenes of Africa, humanity’s cradle, of

slave rebellions and civil rights campaigns, of

stars and planets colliding …

 

 

(1/86)                

 

[At the time this was written the work of Lisa and others could be seen on a wall across Bladensburg Road from an abandoned fried chicken carry-out (both since torn down), about a block north of the intersection with Maryland Avenue, N.E., Washington, DC.  Michael Stewart, a subway graffiti artist, was killed by New York City police in 1985.]

 

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